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Steampunk - Wikipedia. Steampunk outfit with leather vest, heavy gun, vambrace, backpack time machine, mask, and Victorian clothes. Maison tournante aérienne" (aerial rotating house) by Albert Robida for his book Le Vingtième Siècle, a 1. Steampunk is a subgenre of science fiction or science fantasy that incorporates technology and aesthetic designs inspired by 1. Although its literary origins are sometimes associated with the cyberpunk genre,[3] steampunk works are often set in an alternative history of the 1. British Victorian era or American "Wild West", in a future during which steam power has maintained mainstream usage, or in a fantasy world that similarly employs steam power. However, steampunk and Neo- Victorian are different in that the Neo- Victorian movement does not extrapolate on technology and embraces the positive aspects of the Victorian era's culture and philosophy.[citation needed]Steampunk most recognizably features anachronistictechnologies or retro- futuristic inventions as people in the 1.

Such technology may include fictional machines like those found in the works of H. G. Wells and Jules Verne, or of the modern authors Philip Pullman, Scott Westerfeld, Stephen Hunt, and China Miéville.[original research?] Other examples of steampunk contain alternative- history- style presentations of such technology as steam cannons, lighter- than- airairships, analogue computers, or such digital mechanical computers as Charles Babbage's Analytical Engine.[citation needed]Steampunk may also incorporate additional elements from the genres of fantasy, horror, historical fiction, alternate history, or other branches of speculative fiction, making it often a hybrid genre.[citation needed] The first known appearance of the term steampunk was in 1. Steampunk also refers to any of the artistic styles, clothing fashions, or subcultures that have developed from the aesthetics of steampunk fiction, Victorian- era fiction, art nouveau design, and films from the mid- 2. Various modern utilitarian objects have been modded by individual artisans into a pseudo- Victorian mechanical "steampunk" style, and a number of visual and musical artists have been described as steampunk.[5]History[edit]Precursors[edit]. Print (c. 1. 90. 2) by Albert Robida showing a futuristic view of air travel over Paris in the year 2.

Steampunk is influenced by and often adopts the style of the 1. Jules Verne, H. G. Wells, and Mary Shelley.[6] Several more modern works of art and fiction significant to the development of the genre were produced before the genre had a name. Titus Alone (1. 95. Mervyn Peake, is widely regarded by scholars as the first novel in the genre proper,[7][8][page needed][9] while others point to Michael Moorcock's 1. The Warlord of the Air,[1. Peake's work. The film Brazil (1.

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The Adventures of Luther Arkwright was an early (1. Moorcock- style mover between timestreams.[1. In fine art, Remedios Varo's paintings combine elements of Victorian dress, fantasy, and technofantasy imagery.[1. In television, one of the earliest manifestations of the steampunk ethos in the mainstream media was the CBS television series The Wild Wild West (1.

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The Swallowed Whole trope as used in popular culture. An extreme version of the Big Eater which is usually fat, usually a monster of some type, eats the hero.

Origin of the term[edit]Although many works now considered seminal to the genre were published in the 1. It was coined by science fiction author K. W. Jeter,[1. 7] who was trying to find a general term for works by Tim Powers (The Anubis Gates, 1. James Blaylock (Homunculus, 1. Morlock Night, 1. Infernal Devices, 1.

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I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul. Steampunk is a subgenre of science fiction or science fantasy that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered. Nikita Season 4 Ending.

Victorian) setting and imitated conventions of such actual Victorian speculative fiction as H. G. Wells' The Time Machine. In a letter to science fiction magazine Locus, printed in the April 1. Jeter wrote: Dear Locus,Enclosed is a copy of my 1. Morlock Night; I'd appreciate your being so good as to route it to Faren Miller, as it's a prime piece of evidence in the great debate as to who in "the Powers/Blaylock/Jeter fantasy triumvirate" was writing in the "gonzo- historical manner" first.

Though of course, I did find her review in the March Locus to be quite flattering. Personally, I think Victorian fantasies are going to be the next big thing, as long as we can come up with a fitting collective term for Powers, Blaylock and myself. Something based on the appropriate technology of the era; like "steam- punks," perhaps... Modern steampunk[edit]While Jeter's Morlock Night and Infernal Devices, Powers' The Anubis Gates, and Blaylock's Lord Kelvin's Machine were the first novels to which Jeter's neologism would be applied, the three authors gave the term little thought at the time.[2. They were far from the first modern science fiction writers to speculate on the development of steam- based technology or alternative histories.

Keith Laumer's Worlds of the Imperium (1. Ronald W. Clark's Queen Victoria's Bomb (1. Michael Moorcock's Warlord of the Air (1. Harry Harrison's novel A Transatlantic Tunnel, Hurrah! British Empire of an alternative year 1. Victorian dialogue.

The Adventures of Luther Arkwright (mid- 1. In February 1. 98. Richard A. Lupoff and Steve Stiles published the first "chapter" of their 1. The Adventures of Professor Thintwhistle and His Incredible Aether Flyer.[2. The first use of the word in a title was in Paul Di Filippo's 1. Steampunk Trilogy,[2. Victoria", "Hottentots", and "Walt and Emily", which, respectively, imagine the replacement of Queen Victoria by a human/newt clone, an invasion of Massachusetts by Lovecraftian monsters, and a love affair between Walt Whitman and Emily Dickinson.

Truth Coffee, a steampunk café in Cape Town. Relationships to retrofuturism, DIY craft and making[edit]Superficially, steampunk may resemble retrofuturism. Indeed, both sensibilities recall "the older but still modern eras in which technological change seemed to anticipate a better world, one remembered as relatively innocent of industrial decline."[2]One of steampunk’s most significant contributions is the way in which it mixes digital media with traditional handmade art forms. As scholars Rachel Bowser and Brian Croxall put it, "the tinkering and tinker- able technologies within steampunk invite us to roll up our sleeves and get to work re- shaping our contemporary world."[2. In this respect, steampunk bears more in common with DIY craft and making.[2. Art, entertainment, and media[edit]Art and design[edit]Many of the visualisations of steampunk have their origins with, among others, Walt Disney's film 2. Leagues Under the Sea (1.

Nautilus, its interiors, and the crew's underwater gear; and George Pal's film The Time Machine (1. This theme is also carried over to Disney's theme parks, in the designs of The Mysterious Island section of Tokyo Disney.

Sea theme park and Disneyland Paris' Discoveryland area.[citation needed]Aspects of steampunk design emphasise a balance between form and function.[2. In this it is like the Arts and Crafts Movement. But John Ruskin, William Morris, and the other reformers in the late nineteenth century rejected machines and industrial production. On the other hand, steampunk enthusiasts present a "non- luddite critique of technology".[2. Various modern utilitarian objects have been modified by enthusiasts into a pseudo- Victorian mechanical "steampunk" style.[1. Examples include computer keyboards and electric guitars.[3.

The goal of such redesigns is to employ appropriate materials (such as polished brass, iron, wood, and leather) with design elements and craftsmanship consistent with the Victorian era,[2.