Eraserhead - Wikipedia. Eraserhead is a 1. American surrealistbody horror film written, produced, and directed by filmmaker David Lynch. Shot in black- and- white, Eraserhead is Lynch's first feature- length film, coming after several short works. The film was produced with the assistance of the American Film Institute (AFI) during the director's time studying there. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of Henry Spencer (Nance), who is left to care for his grossly deformed child in a desolate industrial landscape. Throughout the film, Spencer experiences dreams or hallucinations, featuring his child and the Lady in the Radiator.

David Lynch’s debut feature Eraserhead debuts this week on the Criterion Collection, in an edition that looks gorgeous and is loaded (loaded) with extras. It feels. · It's all in the name. Mr. Clean's Magic Eraser is literally pure magic, a lifesaver for messy cooks, a favorite for parents of toddlers, a go-to for coffee.

Eraserhead spent several years in principal photography because of the difficulty of funding the film; donations from Fisk and his wife Sissy Spacek kept production afloat. The film was shot on several locations owned by the AFI in California, including Greystone Mansion and a set of disused stables in which Lynch lived.

Lynch and sound designer Alan Splet spent a year working on the film's audio after their studio was soundproofed. The film's soundtrack features organ music by Fats Waller and includes the song "In Heaven", penned for the film by Peter Ivers. Initially opening to small audiences and little interest, Eraserhead gained popularity over several long runs as a midnight movie.

Movie description: 30H! Brookie Little has some very large tits for you to play with. This busty blonde also has a very inviting pink pussy for you to play with. Change office icons of your new project to readily available stock office icons! Perfect Office Icons is an office icon set available in a variety of formats (ICO. The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV. Eraserhead is a 1977 American surrealist body horror film written, produced, and directed by filmmaker David Lynch. Shot in black-and-white, Eraserhead is Lynch's.

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Since its release, the film has earned positive reviews. The surrealist imagery and sexual undercurrents have been seen as key thematic elements, and the intricate sound design as its technical highlight. Thematic analysis of the film has also highlighted these issues and has elaborated on Spencer's fatalism and inactivity. In 2. 00. 4, the film was preserved in the National Film Registry by the United States Library of Congress as being "culturally, historically, or aesthetically significant". The Man in the Planet (Jack Fisk) pulls levers in his home in space, while the head of Henry Spencer (Jack Nance) floats in the sky. A giant spermatozoon- like creature emerges from Spencer's mouth, floating into the void.

The Man in the Planet appears to control the creature with his levers, eventually making it fall into a pool of water. In an industrial cityscape, Spencer walks home with his groceries. He is stopped outside his apartment by the Beautiful Girl Across the Hall (Judith Anna Roberts), who informs him that his girlfriend, Mary X (Charlotte Stewart), has invited him to dinner with her family.

Spencer leaves his groceries in his apartment, which is filled with piles of dirt and dead vegetation. That night, Spencer visits X's home, conversing awkwardly with her mother (Jeanne Bates).

At the dinner table, he is asked to carve a chicken that X's talkative father, Bill (Allen Joseph) calls "man- made"; the bird writhes on the plate and gushes blood. After dinner, Spencer is cornered by X's mother, who tries to kiss him. She tells him that X has had his child and that the two must marry.

X, however, is not sure if what she bore is a child. The couple move into Spencer's one- room apartment and begin caring for the child—a swaddled bundle with an inhuman, snakelike face, resembling the spermatozoon- like creature. The infant refuses all food, crying incessantly and intolerably. The sound drives X hysterical, and she leaves Spencer and the child.

Spencer attempts to care for the child, and he learns that it struggles to breathe and has developed painful sores. Spencer begins experiencing visions, again seeing the Man in the Planet, as well as the Lady in the Radiator (Laurel Near), who sings to him as she stomps upon spermatozoon- like creatures. Watch Starship Troopers: Invasion Online Fandango. After a sexual encounter with the Beautiful Girl Across the Hall, Spencer has a vision where he is decapitated by a creature resembling the child, revealing a stump underneath that resembles the child's face. Soon afterwards, Spencer's head sinks into a pool of blood and falls from the sky, landing on a street below. A boy finds it, bringing it to a pencil factory to be turned into erasers. Spencer seeks out the Beautiful Girl Across the Hall, but finds her with another man.

Crushed, Spencer returns to his room, where the child is crying. He takes a pair of scissors and for the first time removes the child's swaddling. It is revealed that the child has no skin; the bandages held its internal organs together, and they spill apart after the rags are cut.

The child gasps in pain, and Spencer cuts its organs with the scissors. The wounds gush a thick liquid, covering the child. The power in the room overloads; as the lights flicker on and off the child grows to huge proportions.

When the lights burn out completely, the child's head is replaced by the planet. Spencer appears amidst a billowing cloud of eraser shavings. The side of the planet bursts apart, and inside, the Man in the Planet struggles with his levers, which are now emitting sparks. Spencer is embraced warmly by the Lady in the Radiator, as both white light and white noise crescendo. Production[edit]Pre- production[edit]Writer and director David Lynch had previously studied for a career as an artist, and he had created several short films to animate his paintings. By 1. 97. 0, however, he had switched his focus to film- making, and at the age of 2. American Film Institute's Center for Advanced Film Studies.

Lynch disliked the course and considered dropping out, but after being offered the chance to produce a script of his own devising, he changed his mind. He was given permission to use the school's entire campus for film sets; he converted the school's disused stables into a series of sets and lived there. In addition, Greystone Mansion, also owned by the AFI, was used for many scenes.[5]Lynch had initially begun work on a script titled Gardenback, based on his painting of a hunched figure with vegetation growing from its back. Gardenback was a surrealist script about adultery, which featured a continually growing insect representing one man's lust for his neighbor. The script would have resulted in a roughly 4. AFI felt was too long for such a figurative, nonlinear script. In its place, Lynch presented Eraserhead, which he had developed based on a daydream of a man's head being taken to a pencil factory by a small boy.

Several board members at the AFI were still opposed to producing such a surrealist work, but they were persuaded when Dean Frank Daniel threatened to resign if it were to be vetoed.